a dear friend of mine, David Kapralik - now known by the name of "ilili" - threw the idea out in a casual conversation sitting in his Los Angeles home. Where did it all begin? I think it must have started in 1975. I listened and responded, as if I were playing with another musician." Complete Liner Notes Sometimes certain notes stood out more than others, always changing. Groups of notes suspended in air and came back together as a chord. I waited for the echo to decay and then played again. The echo sounded wonderful, lasting about eight seconds. "Sitting on the floor in front of the coffer, with the stereo mike in the center of the room, I began playing alto flute. Paul continues with a description of recording in the King's Chamber. This really intrigued Horn and he actually took a tuner with him so he could tune his flute to the "perfect" frequency for each room. Its dimensions are perfect, and it is the only one that has chambers within the structure itself."īen Pietsch, an expert on the Great Pyramid, told Horn that every room in the pyramid has a basic vibration to it and that if Paul found it and identified with it, he would become attuned to that particular space. We could build thirty Empire State buildings from its stones. The Great Pyramid is the tallest, so huge it staggers the imagination. Paul Horn describes recording in this amazing structure in his liner notes: "There are many theories, but no one knows exactly when, why, or how this pyramid was built.
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